Traces: Degree show
more work at https://www.flickr.com/photos/isoldeclynes/
This
work investigates how our belongings become physically and emotionally
saturated with memories.
Clothing
is particularly personal because of the way that it relates so closely to the
body. Garments physically gather memories of a person’s experiences through
staining, fraying and becoming worn. In this way, remnants of past events
become a part of our possessions. They can tell stories of the past.
Inspired
by sleeve forms, layered fragments of porcelain cast from textiles are assembled into
abstracted sculptures. The viewer’s attention is drawn to the lively colours of
the inside, the energetic memory contained within the garment. The more subtle
textures and details gradually come into focus, much like the way that hazy
memories can become clearer through recollection. The ways that the forms and
colours are arranged refer to aspects of memory recollection.
Photographs exploring instances of decay or change: memories left on architectural features through use.
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Playing with sleeves to make new, abstracted forms
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Assembling porcelain cylinders into abstracted sleeve forms
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